Posts Tagged ‘Be the Void’

(Editor’s Note: This piece appears on The Bowery Presents The House List. Check it out here)

Dependability is an underrated virtue for a rock band, almost necessarily so. It’s easy to take for granted when a group consistently performs excellently. There are the notable exceptions—Bruce Springsteen, U2 and, increasingly so, the Flaming Lips—but for the most part, the bands that trot out day by day to entertain with predictable flair are seen as owing something, rather than appreciated for their reliability. Still, every night can feel special in its own way, and last night at Rumsey Playfield in Central Park, Dr. Dog, one of rock’s soon-to-be steady hands, played a strong set of favorites as well as providing some signature moments.

Dr. Dog is Philadelphia’s most notable indie-rock band, comprised of Toby Leaman (bass guitar and lead vocals), Scott McMicken (lead guitar and lead vocals), Frank McElroy (rhythm guitar), Zach Miller (keyboard) and Eric Slick (drums). Over the course of seven albums, most recently Be the Void, they have created and perfected a sound that borrows familiar classic-rock elements, such as the Beatles’ and Beach Boys’ harmonies and pop maximalism, in addition to adding their own unique touch. The vocal interplay between Leaman and McMicken is thrilling: Leaman growls and yells while McMicken exercises his falsetto. And with a growing catalog of favorites, the group is able to play extended crowd-pleasing shows.

On Thursday night, Dr. Dog began with Shame, Shame’s “Shadow People.” They played behind an altered American flag with neon colors and only three stars (the symbolism escaped me). Quickly, they settled into the pattern of slow opening verses leading to huge climactic choruses, with harmonized oohs and aahs. Some cute touches were added to “I Only Wear Blue” and “The Old Days” when an electronic effect such as a horse nay and hand claps were added. But the big and memorable moment came when Delta Spirit’s Matt Vasquez stumbled onto the stage during “Worst Trip.” With a shaker in hand, he jumped around and eventually made his way atop Leaman’s shoulders for the end of the song. And as the bassist, somewhat startled, explained, the two groups have been touring for a while. Another example of how, even after so long, the expected can produce the expected.

Photo courtesy of JC McIlwaine | jcmcilwaine.com


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(Editor’s Note: This piece appears on The Bowery Presents The House List. Check it out here)

There are two types of bands, those that focus on recording and those that focus on live shows. It is the rare exception when both are an active priority, but Dr. Dog appears to strive for overall excellence. Last month the band released its sixth album, Be the Void. As is the case with previous discs, the consistent output contains kernels of pop brilliance: rock that extends the Beatles’ signature sound. The next step was to test the material on the road, and on Friday night, Dr. Dog stopped at Terminal 5 to work out new songs and revisit old ones in front of a sold-out crowd.

The set’s first two songs mirrored the new album’s first two, “Lonesome” and “That Old Black Hole.” Apropos of the band’s established formula, bassist Toby Leaman sang the first song while lead guitarist Scott McMicken sang the second. The trade off and interplay between vocalists is one of Dr. Dog’s more unique and compelling aspects. Leaman’s style is gruff and labored. He chugs through songs with physicality and maximum effort. Contrastingly, McMicken’s voice is brittle yet sweet. During a jubilant performance of “Shadow People,” the crowd pushed with its collective weight to hold up his relentless plea, “Where did all the shadow people go?”

The shadow people are unaccounted for, but the people who came on Friday night made themselves known. Many of those in attendance held on to secret (and not so secret) desires for favorite songs like a hopeful lottery-ticket holder. And the encore performance of “Heart It Races” looked to be a winner for many. But Dr. Dog possesses a deep catalog and most songs seemed to connect with the diverse audience.

Photos courtesy of Ahron R. Foster | ahronfoster.com

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